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Paul linklater's Smooth Sailing and How is a double album with ep that wants to be a parallel universe with ep. An encyclopedia of lo-fi tresspasses, a crash course in 60s and 70s pop, an inner monologue that got out, a study on the theme of "guitar / drum texturing", and under all of that, some of the most solid melodies being written. the product of an immense labour, Smooth Sailing is a true novelty; for fans of independent music, a must-have double album with ep; for independent musicians, a wake-up call. It comes in a clear plastic box with three heavy cardboard sleeves. (Each of the sleeves has a colour screenprint of a drawing by paul linklater from his real notebook.) Enriched mp3s also for sale... HERE |
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JIB05. Dancers. (3)
from Three Hundred Songs |
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31 has a nice melody
and an incandescent vocal. 32 sympathizes with musical tourists like George
Harrison. 33 is a straight-forward imitation piece, an exercise. 34 has
to do with dreams and a bird significant. our lead singer is in top form
here. conceptually, it's a dense work but we carry it off pretty lightly.
35 features a guest under duress and a middle eight on loan from someplace
like Mesopotamia. 36 has a tri-part structure and draws on many sources,
too many to enumerate here. 37 was a performance - we captured it. 38 is
something you might listen to to relax, something you might hear on the
relaxing station. in it, an immortal theme receives casual reappraisal.
39 tunnels through the 80s with a lantern from this year. 40 does too. 41
is restrained, that much shows. 42 took time to make, time and effort. 43
is a jazz song. one might imagine a band playing it, having lots of fun
together. 44 is a playful composition that took lots of time to make because
of all the choices that were made - an unusually large number of them. 45
is a choral piece. at the end, its artifice is stripped away cooly - it's
a joke. 46 is a kind of folk offering. you're going to try to forget it.
47 went through many phases. it too is surely a folk music piece. 48 is
classically composed, but sounds improvisatory. short but many-splendoured.
49 owes a debt to hip-hop but will probably welch on it. 50 is perfect for
aerobics or just lunching with friends. it features a person on loan from
Japan. 51 is just a repeated progression, effortlessly produced. 52 maxes
out every single dial as though they - the dials - were straining to buttress
the song's heroic melody. 53 is an early piece. clean melody and lots of
feeling. we wanted to round out this our third and longest album with a
bit of heart - for effect.
Here's a link to go to the and one for the |
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